فیلم آموزش نرم افزار ایدنیزاین Adobe InDesign terminology type

فیلم آموزش نرم افزار ایدنیزاین Adobe InDesign Learning terminology type

اکنون، وقت آن رسیده تا برخی اصطلاحات اساسی نوع را بیاموزیم. این همه اصطلاحات و تعاریف است که شما هر وقت با تایپوگرافی کار می کنید می شنوید، و من فکر می کنم آنها بسیار مهم هستند. اول از آن واحد اندازه گیری چندگانه است. پیکا پیکا یک واحد اندازه گیری است که عموما خطوط متن را اندازه می گیرد. یک پیکا برابر با 12 امتیاز و شش پیکا برابر با 1 اینچ است. حالا، یک نقطه چیست؟ خوب، یک نقطه به سادگی واحد واحد اندازه گیری برای فونت است. 72 امتیاز برابر با 1 اینچ است. بگذارید آن را در دیدگاه قرار دهم و در اینجا مقیاس را به شما نشان دهم. در اینجا، هر دو در صفر در سمت چپ، پیکا و نقاط، تمام راه تا 1 اینچ. 72 امتیاز برابر است با 1 اینچ، 6 پیکا برابر با 1 اینچ، و شما می توانید تمام مقادیر مختلف بین مقیاس را ببینید. منتهی شدن. این یک اصطلاح دیگر است که اغلب هنگام کار با نوع کار می کنید. رهبری تنها اساسا فاصله بین خطوط متن است. این فاصله، در نقاط اندازه گیری شده، از یک خط پایه به دیگری اندازه گیری می شود. ردیابی ردیابی فضای بین کاراکترها در کل یک بلوک متن است. Kerning, on the other hand, is the distance between two individual characters within a block of text. For instance, when we have this word "type", the space in between all of the letters as a whole refers to tracking, whereas if we were referring to the space in between the P and the E, that would be referred to as the kerning. You can have a separate set of tracking for an entire block of text, yet still need to kern an individual set of characters in order to make type look like it's set in proportion. A glyph. A glyph is a representation of each character within a given typeface. Some typefaces offer more than one glyph for certain characters. In applications like Illustrator, Photoshop, and InDesign, you will see a glyph palette. This palette allows you to select from several of the different characters. Oftentimes, a glyph panel is also where you will gain access to things like icon fonts. Let's take a look at an example of a glyph. Here is a cursive letter L. This is a glyph of that same character, taken from the glyphs panel inside of an application. As you can see, it follows the same basic form of the L, but it has some stylistic alterations. As I said before, these are just some of the key terms that you will need to know when you're dealing with typography. I think that if you know these basic terms, accompanied with the terminology that we discussed in the anatomy of type lesson, you will be well on your way to fully understanding all of the different ins and outs of typography.

ادامه مطلب

طراح و گرافیست

یک شنبه 6 خرداد 1397 - 9:47 AM

()

آموزش نایپ صفحه آرایی ایندیزاین Adobe InDesign anatomy type

دانلود آموزش نایپ و صفحه آرایی ایندیزاین Adobe InDesign Typography anatomy type

آموزش نایپ و صفحه آرایی ایندیزاین Adobe InDesign Typography anatomy type

اکنون اجازه می دهد "نگاه ما به تایپوگرافی را با کاوش چیزی که من دوست دارم آناتومی تایپوگرافی را فراخوانی کنم. در حال حاضر نیازی به یادداشت برداری در این بخش وجود ندارد، زیرا من شامل یک جزوه رایگان است که تمام شرایط و تعاریف را که ما در طی این فیلم در فایل های تمرینی خود بحث خواهیم کرد را نشان می دهیم. احساس رایگان برای باز کردن آن سند و بررسی آن را به عنوان همراه ما و یا چاپ آن و آویزان آن بر روی دیوار خود را اگر شما می خواهم. خوب، اجازه دهید بخش هایی از نوع را خراب کنیم تا بتوانیم درک کنیم که چه چیزی هر یک از فونت ها را شکل می دهد و چگونه آن را منحصر به فرد می کند تا بتوانید به آنچه که در طرح های خود استفاده می کنید، بهتر درک کنید. بیایید شروع کنیم با سه خط که اینجا بر روی صفحه خود می بینید. خط پایین به عنوان خط پایه شناخته می شود. خط پایه خط خیالی است که بر اساس آن یک متن از متن متوقف می شود. بعضی موارد خاص وجود دارد که در آن فونت با ردیف پایین y یا g به حالت اولیه باز می شود، اما کمی بعد درباره آن صحبت خواهیم کرد. بعد از آن، چیزی به نام x-height. The x-height is the distance between the baseline of type and the tops of the main body of lower case letters. Like the baseline, however, there are certain portions of lower case typefaces, like the lower case h for example, that extend past the x-height, but again, we'll get to that in a minute. The top line is known as the cap height. Cap height refers to the height of a capital letter above the baseline for a particular typeface. It specifically refers to the height of capital letters that are flat, such as the H or the I, as opposed to round letters such as the O. Now let's take a look at the letter h. This small stem on the lower case letters like h's and d's is called an ascender. Ascenders get their name because they actually extend the letter past the x-height of the typeface. Occasionally ascenders can also breach the cap height as well. A descender, which we mentioned while we were talking about the baseline, is the polar opposite of an ascender in that it extends a letter past the baseline, as is the case with lower case g's or the letter p or in this case, a letter y. Let's jump over to the uppercase T, now. This small extension at the top of the T is known as the arm while the small flares at the end of the T are referred to as a beak, probably because of their resemblance to a bird beak. The stem is the main usually vertical stroke of a letter form like this portion of the uppercase T. And a tail is the descending, often decorative stroke on the bottom of letters like uppercase Q's or lowercase y's like we see here. A serif, as we've already seen, is this small flair that extends off the edge of letters within a serif typeface. The counter of a letter refers to the enclosed space within letters like lowercase o's or within the top portion of lowercase g. And it's the small extension on that same g that's referred to as an ear. A terminal looks sort of like a serif, but many consider the terminal to simply be any end to a stroke that doesn't contain an actual serif. This next area, commonly called an aperture, refers to partially enclosed, somewhat rounded, negative space in some characters such as a c, s and the lower part of an e, or the upper part of a double story a. And a bowl is the curved part of the character that encloses the circular or curved parts of some letters, such as the d, b, o, uppercase D and uppercase B. Now, wow, that's a lot of stuff to remember, I know. And I bet you didn't think that so many things went into the construction of your favorite typefaces, however the more you study things like this, the more insight you'll be able to provide during the design process on which typeface is actually good for the project you're working on. You may like letters with wide stems or ones that have a really stylistic tail. But if you don't know the proper names for things like this, you might not be able to communicate that to others on your team or fellow designers as you're discussing your projects. I highly recommend learning as many of these terms as possible and remember to review the infographic I created for you anytime you get stuck. The anatomy of type is a vast and complex thing, but once you take the time to learn it, it'll be a valuable asset to you in every project you take on.

ادامه مطلب

طراح و گرافیست

یک شنبه 6 خرداد 1397 - 9:46 AM

()